| INUIT NATURAL BLANCO EXTREMO Actual, ecológico y versátil Golpe en seco, serigrafía, estampación metálica, plegados... los procesos especiales no suponen ningún obstáculo para Inuit. Todo lo contrario, este nuevo papel no estucado de Arjowiggins ofrece unos resultados magníficos sea cual sea el tipo de producción requerida. Por eso, es la gama idónea para realizar impresos y formatos publicitarios singulares. Inspirado en la blancura ártica, está disponible en dos acabados, tres tonos y hasta nueve gramajes distintos. Inuit dispone de certificado FSC, por lo que se elabora siguiendo estrictos criterios medioambientales que aseguran una gestión responsable de los bosques en todo el mundo. Albert Folch Studio es reconocido por el tratamiento tipográfico en trabajos de diseño editorial. Pero quizá esto sea sólo el resultado, la parte más visible de una trayectoria que prima por encima de todo la investigación. |
INUIT NATURAL BLANCO EXTREMO Modern, ecological and versatile Die stamping, silkscreen, hot foil blocking, folding and creasing... special processes are not an obstacle for Inuit. On the contrary, this new uncoated paper of Arjowiggins gives outstanding results on a widely used print techniques. For that reason it is a suitable paper to make any singular advertising piece. Inspired by the Arctic whiteness, Inuit is available in two finishes, three shades and up to nine different weights. The entire Inuit range is FSC certified, which means that it is manufactured according to strict environmental criteria that assures a responsible management of the forests all over the world. ALBERT FOLCH STUDIO To explore, to innovate, to learn Albert Folch Studio is recognized for a fine typographic approach in editorial design works. Perhaps this is only the result, the most visible part of an experience that places research above all. “Every project brings an opportunity to explore new solutions”. It is a search that covers all features –both graphic and production aspects– and takes the form of different actions such as altering existing typographies, cutting books, creating specific fonts or using colours in unsuspected applications like stitches and staples. In sum, not at all gratuitous actions that seek to combine risk and balance and that introduce a certain playful sense. Formed by Albert Folch, Omar Sosa, Miquel Polidano, Carol Montpart and Reto Moser, the studio works mainly for specific jobs in the cultural sectors, a context “that makes us be very wide-awake, continue experimenting and learn of each circumstance”. www.albertfolch.com |